How Paniya Thudi is Made
- ARPO

- 2 days ago
- 3 min read
In the cultural heritage of Kerala’s Paniya tribe, Thudi is far more than a simple percussion instrument. It is considered the rhythmic heartbeat of the community. From births and weddings to harvest rituals (Kambala) and funeral rites, no ceremony is complete without its resonance.thudi's beats and rhythm.
While the sound of the Thudi is widely celebrated, the traditional art of making a Thudi requires precision, knowledge about the forest, and sacred craftsmanship passed down through generations.
WATCH NOW: How Paniya Thudi is Made | Traditional Tribal Instrument of Kerala
1. Carving the Wooden Shell (Thudi Maram)
The frame of the Thudi is carved entirely by hand out of seasoned woods like Mango (Maavu), Jackfruit (Plaavu), or Champak (Chempakam).
Mud Curing: In traditional times, freshly chopped logs were submerged in marshy paddy mud for about a month. This process stripped away soft outer sapwood while hardening the inner heartwood.
Hand-Hollowing with Vanthal: Using specialized curved iron chisels forged by local blacksmiths known as Vanthal, artisans meticulously scrape and hollow out the interior shell.
Smoothing: The exterior is carved smooth with knives and polished using broken glass fragments or rough natural leaves (Paarakam leaves, which act like natural sandpaper).

2. Preparing the Leather Drumheads
The drumheads require durable yet sensitive animal hides to produce the signature deep bass and treble pitches.
Leather Selection: Traditionally, hides of small animals were used. Today, goat hides sourced from local butchers are used.
Drying & Ant Protection: The raw hide is stretched tightly on the ground using wooden pegs and dried under the hot sun. Wood ash is scattered over the hide during drying to repel ants and insects.
Tethering Rings (Manju & Marumanju): To hold the drumhead taut without tearing, flexible vine-like stems (Kaayal) are bent into rings (Manju). The skin is wrapped around this ring using natural forest resins (Attippasha or wild jackfruit resin) or adhesives to form a secure boundary frame (Marumanju).

3. Assembling the Drums & Kallam Kadikkal
Assembly requires joining two drumheads across the hollow wooden shell using stretched cords.
Punching Binding Holes
Artisans heat an iron spike over charcoal embers to burn precise lacing holes around the leather edge; 6 holes for the large bass drum (Valiyamaram) and 5 for the smaller drums (Nadumaram and Cherumaram).
Stringing with Bark Fibre or Cords
Historically, raw bark fibre from Ooram or Malinjili trees was twisted into tough rope. Today, synthetic or plastic cords are frequently substituted. The cord is woven through the holes in a specific interlocking harness.
The 'Kallam Kadikkal' Overnight Rest
The fully laced drum is pulled extremely tight and set aside overnight near the home's sacred hearth (Theena). This overnight conditioning named Kallam Kadikkal, allows the fresh leather and wood to acclimate to humidity and heat without losing tension.

4. Tuning Mechanism (Otha) & Playing Stick (Thudikoola)
Fine-tuning a Thudi requires specialized hardware crafted entirely from natural forest materials:
Component | Material | Function |
Otha (Tuning Hook) | Forked wooden branch or cured reed/bamboo | A wooden hook attached to the side harness. Sliding or tightening the Otha adjusts cord tension to change the pitch. |
Marukayaru | Woven chest strap | A comfortable strap attached across the drum enabling the performer to wear it slung across the torso. |
Thudikoola (Drumstick) | Heat-bent bamboo strip | Crafted by paring down a strip of bamboo (Oda), softening it over glowing embers, and bending the tip into a curve tied with cord. The curved tip prevents the stick from puncturing the tight leather hide. |
5. Curing in the Kitchen Hearth Smoke (Arijju Mayakkal)
Once constructed, new Thudi drums are hung high above the traditional kitchen hearth (Chevu) on ceiling hooks.
The continuous smoke from cooking fires seasons the wood, cures the leather, and protects the ropes from moisture decay. This aging process known as Arijju Mayakkal ("softening/awakening the drum") prepares the instrument spiritually and acoustically before it is played for rituals.

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